{"id":83,"date":"2014-08-05T22:08:01","date_gmt":"2014-08-05T22:08:01","guid":{"rendered":"http:\/\/www.longharecontent.com\/LonghareBlog\/?p=83"},"modified":"2015-03-29T17:17:37","modified_gmt":"2015-03-29T17:17:37","slug":"criticism-what-people-say","status":"publish","type":"post","link":"https:\/\/www.longharecontent.com\/LonghareBlog\/criticism-what-people-say\/","title":{"rendered":"Criticism: How to Handle What People Say"},"content":{"rendered":"

\"Criticism<\/a><\/p>\n

Writing is hard and writing is personal. There is nothing quite so crushing as mom\u2019s faint praise unless it\u2019s frank, harsh, lacerating criticism from someone who thinks “truth” is a blunt weapon.<\/p>\n

What you write reveals a lot about you\u2014your ignorance, your unorthodox approach to spelling, your secret principles, what you dream about, and all your worrisome complexes. It takes a whopping load of courage to share the fresh, raw pages of a novel manuscript with others. Fear of exposure, however, should not prevent doctor visits or editorial review.<\/p>\n

Criticism and Conflict of Interest<\/h2>\n

Rule No. 1 of receiving criticism is: Consider the source. Mom, Mrs. Kravitz, and your subordinates at the office cannot under any circumstance give you an unbiased appraisal. Period. In sharing your book with the people in your personal universe, you should not be looking for the unvarnished truth. What you really want from what I will call critics of the First Circle, is encouragement.<\/p>\n

You are blessed if \u201cI loved it!\u201d is followed by \u201cI was a little confused in the fourth chapter when Shirley called her boyfriend Jason\u2014wasn\u2019t his name James?\u201d\u00a0 1) You have a fan, and 2) It’s nice that error was caught by a safety reader and not an outsider.<\/p>\n

Sometimes, however, Uncle Bob will tell you that you lost him when you went into that girlie stuff, or your brutally honest BFF will confess that she\u2019s just never going to find time to read it, or Grandma may return it with all the errors marked in red pen but without a single positive note in the margins.<\/p>\n

The fact is, these people\u2014who love you dearly\u2014may feel like you’ve given them an onerous chunk of homework and may not be comfortable with the pop quiz they know is coming. They are almost certainly not trained to see the finished diamond in your rough manuscript, and they may not even be inclined as readers toward the kind of book you have written. Glean any constructive criticism you can from the first circle and all the encouragement offered, but don\u2019t sweat it if they aren’t able to tell you what you need to hear.<\/p>\n

Peer Pressure and Constructive Guilt<\/h2>\n

Rule No. 2 is Test the Authority of Your Peers. Before there were writing workshops, there were coteries, coffeeshops, salons, and milieux. Artists were thrown together by society kingpins who specialized in fostering culture, or else an artist fled society with or without his friends and drew followers to his little sitting room where booze and bonhomie went round with the sharing of works in progress. This is the Second Circle.<\/p>\n

As a modern equivalent, you can join a writing group or assemble a panel of beta readers. You can blog your progress. Workshops operate on the Weight Watchers principle that if you are being monitored for progress, progress you will make. You\u2019ll receive encouragement and advice from those engaged in a similar struggle.<\/p>\n

But things can go wrong: If your Pynchonesque epic is turning into a domestic comedy or the dry sardonic wit has been drained from your warrior princess, it may be that the influence of your peers is having a counterproductive effect on your work. If a beta reader informs you that the brassy heroine with whom you closely identify is a brainless floozy, the rest of his\/her critique may be colored by a worldview or literary aesthetic that is out of tune with your own. Seek criticism that takes your book on its own terms and helps to refine rather than re-envision.<\/p>\n

Comments from Your Editor<\/h2>\n

Rule No. 3 states, Choose Your Editor As You Would a Godparent. You may think the world of your brilliant and charming Aunt Kate and still not want her helping to raise your children. By the same principle, a good editor is not necessarily the right editor. Any good editor will find errors and spot problems, but not all good editors will spot the same problems or even consider as problems the same things. If you are fond of wordplay and rogue punctuation, you may not be well served by a strict constructionist; if you have produced a delightfully Dickensian doorstop, you may not be in the right corner with a faithful adherent of the Elmore Leonard school.<\/p>\n

An editor who understands your authorial intent will provide feedback\u2014yes, criticism\u2014that will make sense to you, illuminate your own dim ideas, and tell you when you\u2019ve gone off the rails. Yes, if you write a 2,000 word conversation full of impassioned dialog and crackling atmosphere that basically repeats a previous\u2014and better placed\u2014conversation, your editor may point out that readers will find it tedious. Don\u2019t be hurt, even if you worked really hard on that scene and it\u2019s the best thing you\u2019ve ever done. Your editor (the Third Circle) may have a suggestion for incorporating what you love about this scene into the earlier scene, or you may have an ingenious solution of your own\u2014either way, the book is suddenly better, stronger. And if your editor tells you something you don\u2019t agree with\u2014say, that your protagonist is a bit whiny\u2014there may be something deficient in your presentation of that character. Consider whether you have supplied a full and true picture of the character before deciding that if Hamlet can be interpreted different ways your character can be too.<\/p>\n

Stand by Your Book<\/h2>\n

Rule No. 4, the Golden Rule, is, It\u2019s Your Book, You Can Do What You Want. Even an editor who is otherwise totally on the same page with you can make a lame suggestion, misinterpret a regional idiom, think your hero is a jerk, or tire of your narrator\u2019s drug-induced circular reasoning. If you wrote it that way on purpose and stand by your original decision because it is integral to the work as you envision it, keep it. The book is entirely yours, and criticism is always yours to cherry pick\u2014ignore it or make use of it, but don\u2019t be afraid of it.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Writing is hard and writing is personal. There is nothing quite so crushing as mom\u2019s faint praise unless it\u2019s frank, harsh, lacerating criticism from someone who thinks “truth” is a blunt weapon. What you write reveals a lot about you\u2014your ignorance, your unorthodox approach to spelling, your secret principles, what you dream about, and all […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,10,16,3],"tags":[5,8,34,35,7,4],"class_list":["post-83","post","type-post","status-publish","format-standard","hentry","category-advice-for-writers","category-preparing-for-publication","category-story-development","category-working-with-an-editor","tag-authors","tag-choosing-an-editor","tag-criticism","tag-editorial-review","tag-editors","tag-writers"],"yoast_head":"\nCriticism: How to Handle What People Say - Editor to Writer<\/title>\n<meta name=\"description\" content=\"There is nothing quite so crushing as mom\u2019s faint praise unless it\u2019s frank, harsh, lacerating criticism from someone who thinks "truth" is a blunt weapon.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.longharecontent.com\/LonghareBlog\/criticism-what-people-say\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Criticism: How to Handle What People Say - 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